Alexander Kanevsky painting "Adoration of Magi"Lusciously sprung on the uttermost classical subject, ambitious as Kanevsky is, his renaissance technique allows, his thought and imagination beyond the embrace, made larger than life Head of God appear first time in history of painting. Not hallucinogenic like Dali's "Torreador" but physical and real like Goya's "Collosus". As God especially in the case of "Adoration of Magi" is not a hallucination. His presence physical and real for the historically predetermined life of Christ, hidden messages including wide spread fame and crucifixion already presented by sheppards at God's ordain. Also "Adoration of Magi" by Leonardo da Vinci, Titian, Carovaggio, Jacopo Bassano, Antonio Carraggio, Savoldo, Giotto, Botticelli,

 Alexander Kanevsky painting "Adoration of Magi" Lusciously sprung on the uttermost classical subject, ambitious as Kanevsky is, his renaissance technique allows, his thought and imagination beyond the embrace, made larger than life Head of God appear first time in history of painting. Not hallucinogenic like Dali's "Toreador" but physical and real like Goya's "Colossus". As God especially in the case of "Adoration of Magi" is not a hallucination. His presence physical and real for the historically predetermined life of Christ, hidden messages including wide spread fame and crucifixion already presented by shepherds at God's ordain.  Also "Adoration of Magi" by Leonardo da Vinci, Titian, Caravaggio, Jacopo Bassano, Antonio Correggio, Savoldo, Giotto, Botticelli,